
I'm continuing to learn about how to use color pencils. I've learned a lot about compliment colors, shading and layering. It's still hard to me and I feel a bit like I"m still in over my head. But I'm sticking with it.
I've been able to apply these skills to my watercolor and gouache work. I've also been working with Alcohol and Kosher Salt. And I'll write more later about my discoveries.
This post is about paper!!!!OMG my Bristol paper isn't white. OK you artist types stop laughing at me. I have stated many times. I'm self-taught and I'm learning. Anyway...Thanks to Shannon for pointing this out.
I've had a pad of Borden & Riley, BleedProof Paper for a while. I decided to give it a try as Shannon works on this paper and likes it. She's an awesome talented artist and I hope to be closer to her talent some day. Or to let the world know about her talent.
We put a sheet of Borden and Bristol side by side. The Borden is WHITE!!!!! The Bristol looks dull and even yellow. I tried this under several different types of light. Sunlight = ouch, very bright. lol
Don't get me started on Bristol Sketch Series 400. This piece is done on the Bristol Series 400. The 400 is dull and not kind if you need to erase. Actually, I kinda like how this turned out but I think it's probably in need of another layer of color pencil.

The 400 is expensive and super thin. Maybe I'm doing this all wrong. [shrug] Nuf said there.
Borden's is a bit tricky to work with. It's a very, very smooth surface and this took a little getting used to. The colors just pop.

It's amazing. I also have less surface lines (texture) not sure how to explain this. But the color goes on smoother.
I have finished several pieces and I hope to have all of them posted in a bit.